Dec. 28th, 2008 03:53 pm
telophase: (Hotaru - space for rent)
My [livejournal.com profile] yuletart pic just got posted! My Secret Santa drew me a lovely Hotaru from Samurai Deeper Kyo!
telophase: (Hotaru - space for rent)
A really nice picture of Akira from Samurai Deeper Kyo.

SDK alert!

Apr. 11th, 2008 01:48 pm
telophase: (Hotaru - space for rent)
[livejournal.com profile] chomiji! [livejournal.com profile] meganbmoore! [livejournal.com profile] octopedingenue! [livejournal.com profile] rushthatspeaks is reading Samurai Deeper Kyo - up to vol 24 now - and is in search of fic!
telophase: (Hotaru - space for rent)
[livejournal.com profile] rachelmanija reviews volumes 1-5 of Samurai Deeper Kyo. And much according to my predictions, once she made it past the dire first few volumes, she got hooked.

A few excerpts from [livejournal.com profile] octopedingenue's squeeful comments:
I love SDK with a pure shonen love because it makes me giggle like a mad thing, and it is so pure in its gleeful shonen abandon of testosterone and speedlines and manly sprouting hair.

I love Kyo because he has the best "I'm going to break things and it will be AWESOME" grin, and because he spells his name with the kanji for badass motherfucker.

There is no logging industry. Just a list of trees that Demon Eyes Kyo has allowed to live.


Sep. 24th, 2007 11:27 am
telophase: (goku - yap yap yap)
This was SUPPOSED to be a short answer to [livejournal.com profile] chomiji's question below, originally asked here, but it turned into a huge, rambling essay looking at a particular type of character and why I like that type, so I'm posting it in a new entry. Hopefully it'll spur some discussion. :D my current default icon is so appropriate right now.

[livejournal.com profile] chomiji: Why do people like Gin, anyway? He gives me the creeps ... always has, even before we found out what he was really like.

Good question - especially because he hits a whole lot of my narrative hot buttons. :D So I've been trying to work out, exactly, what it is about him* that I like. Read more... )
telophase: (Default)
By Sunday morning I'll be up to the latest volume out, having mainlined half the series in 24 hours. I'm enjoying it a lot despite my complaints in the comments a post or two back.

I am very tempted to scan in a bunch of Yuya's :O faces and title it "The Many Expressions of Yuya."

(Spoilers might be in comments; read at yer own risk.)

ETA: [livejournal.com profile] chomiji - just remembered your review of Blade of the Immortal 4 & 5, and your mention of Rin in it - and she's pretty much playing the exact same role as Yuya, only done right, I think.
telophase: (Mushishi - they are out there)
Back when Melody of Oblivion was first being broadcast and fansubbed several years ago, I watched several episodes, and liked them quite a bit. But it's the sort of series you really need to be in the mood for and at some point I never got around to downloading more of it. I recently noticed that it was available on Netflix, and popped disc 3 onto my queue, guessing at about which episode I'd stopped at. I guessed correctly - episode 9 was the last I'd watched, and this disc started with ep 9.

How to describe it? It's a Gainax WTF?! series, and that should tell you quite a lot. It follows a young man named Bocca and his possibly sentient motorcycle-looking Aibar machine around a futuristic Japan that is controlled by creatures called Monsters, after the Monster-Human War. Bocca is searching for the Melody of Oblivion, someone or something hidden away that could be the savior of humankind.

I remember only vague, chaotic, confusing elements from the first eight episodes and discovered as I was watching episodes 9 and 10 that I wasn't actually crazy and that the episodes were just like that. [livejournal.com profile] rachelmanija and [livejournal.com profile] oyceter, you'll be happy to note that there is a Fowl of DOOOOM! in it, in the form of a parrot or cockatiel-type thing that flies around screeching "Truth or lies!" and then delivering messages to people. No heads in jars. So far. There are references to mythology and fairy tales. I vaguely remember a bus growing horns and turning into an analogue of the Minotaur in one of the early episodes, and there was one short story arc that dealt with a boy sticking his finger in a hole in a dam, like the story of the Dutch boy and the dike, and the most recent story arc has a villain that fights inside a giant robot suit that looks like a monkey and uses a giant extendible monkey wrench, like Monkey/Son Goku's staff. The Warriors of Melos, who are the only ones that can hear the Melody of Oblivion, activate their powers by drawing an arrow across a glowing tattoo on some part of their body, and they release the arrow with a cry that's taken from poker: "Flush!" "Four Card!" etc. There's a small group of freedom fighters that may not be as human as they seem that are also a theatrical company.

And those are the parts that make sense. I'd love to watch this with someone else in the room who can truly appreciate anime crack, just because.

ETA: Have also obtained and read volumes 11-22 of Samurai Deeper Kyo in the past 24 hours, and will be reading vol 23 later on tonight. I gotta say, that is way too much shounen fighty scenes to mainline in that short a time, and yet I. CAN'T. STOP. READING. Damn you, [livejournal.com profile] chomiji! (Honestly - how many times can a character almost get killed, then stand up and say "This time I'll stop holding back!" and kick his opponent's ass ... and then ten minutes later fight another opponent who's even tougher, go even more all out, and then SAY IT AGAIN? Aaaagh! There's gotta be an upper limit here somewhere!)

Favorite character: currently Hotaru. YOU ARE SO CUTE WHEN YOU'RE WEIRD! Also am tired of Yuya's primary purpose in the story being the one to whom the other characters explain patently obvious things that I'd already figured out from context. The audience for this is obviously way younger than me. :) Also also am tired of the expression she wears 90% of the time being: 8O Want to yell at her to shut her mouth before a bug flies into it.

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