I find it somewhat odd that when I write, I seem to do it better with a male viewpoint character than a female. The stories in my head often have female protagonists, but if I pin it down in writing*, or try to make it into something more than just a personal daydream/fantasy, it twists around to view the woman from the outside. I think it's because when it's internal and personal, I'm putting myself into her place, but when it's trying to become an external story with a character distinct from me, I have to distance myself from her.
Note that in the
fragments of a dream thing, it ended up from the man's POV, even though the dream and the overall story in me head is from her POV. I didn't even notice that until I typed it out and re-read it.** It's going to be interesting if this thing grows, because so far from what I understand, it needs to be her story and her POV, and I know more about her than him.*** Hm.
* Which I technically rarely do; I actually write in my head far more than on paper. For "writing", maybe you should be reading "composing".
** It's also in present tense, which I hate reading, but which helps me when writing to quell the internal editor somehow. I don't pretend to understand why. If I incorporated it into a larger piece, I'd push it into past tense, most likely.
*** I know enough to know jsut the edges of why you should be disturbed, rather than charmed, by the off-balance stuff in that snippet. XD But I do like the way that conversation took on two levels of meaning, without me intending it to.
(I'm reading Jane Yolen's book of essays on writing,
Take Joy, at the ref desk right now, which is why I'm maundering on about the creative process.)