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For the, like, three of you who don't read
mistful, she has a nice rant on the idea of not liking female characters. And by "nice" I mean "as hysterically funny as usual".
And we all know that Susan turns away from Narnia in the end anyway, in a very specifically female way. (Well, I guess Edmund could have turned away from Narnia in the same way, but that would be an intrinsically hilarious scene.)
PETER THE MAGNIFICENT: My brother Edmund is no longer a friend to Narnia.
ASLAN: Oh that's a pity.
PETER THE MAGNIFICENT: All he thinks about parading around in nylons and lipstick!
ASLAN: ... Say what?
PETER THE MAGNIFICENT: DON'T ASK ME TO TALK ABOUT IT!

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That is so much better than what really happened, though...no subject
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It's sort of urban magic and magic realism, and a teenage boy moves into the area and stirs up trouble between the sisters. We sort of suspect he is some kind of fairy or supernatural being, but because Dean likes complex, knotty, understated plots that don't necessary tie up lose ends or give you all the answers, we never really know. It's all about the emotional journey, anyway. It's the kind of book where the most interesting individual events are throwing a Halloween party, nothing blows up, nobody dies, and the climax is surprising and understated and anti-climactic, but nevertheless chokes me up with its emotional resonance to real adolescent feelings.
Pamela Dean is absolutely one of my favorite authors ever, and her entry in the Fairy Tales series, Tam Lin, which is a retelling of the classic ballad set in a midwestern college in the 1970s, and is wonderful, emotionally true depiction of the college experience which also has fairies in the Classics department, happens to be my favorite book of all time; it is impossible for me to begin to read it and not finish. The Secret Country trilogy (The Secret Country, The Hidden Lands, and The Whim of the Dragon) is one of those minor cult fantasies classics among people who like Diana Wynne Jones, and the side-story novel set in the same universe, The Dubious Hills, is simultaneously a lovely book and an amazing fictional exploration of the nature of knowledge.
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I was actually very pleased to see that mistful thinks it's OK not to like some of the female characters out there. I had been feeling rather battered and bruised with regard to my preference for (and in many cases, identifiction with) the male leads in a number of the books I have loved for years.
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And in most cases it's not even "I don't like this female character." It's "I really like this particular male character; his POV feels comfy to me."