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WITNESS MY GEENYUS!!
Here we go, because I know you all wanted it: the stunning result of my two days' (so far) worth of piano blues improv classes:
http://www.magatsu.net/piano/12-bar-improv-02.mp3
I'm rather hazy on timing. :) It was done using the 12-bar blues on the left hand, and (most of the time, when I hit the correct keys), the six-note blues scale in C on the right.
Totally life-changing, isn't it?
http://www.magatsu.net/piano/12-bar-improv-02.mp3
I'm rather hazy on timing. :) It was done using the 12-bar blues on the left hand, and (most of the time, when I hit the correct keys), the six-note blues scale in C on the right.
Totally life-changing, isn't it?

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Timing and flow will improve with practice. When I learn a piece, it sometimes helps me to go measure by measure, so that I know which keys/chords are supposed to be played, and then to play it through without stopping (even if it means hitting some wrong notes), so that I get a feel for the flow/rhythm. But of course you should do it however works for you. :-)
I imagine this varies from person to person, but for me part of piano (or any musical instrument) is memorizing the physical feel of the keys that I need to hit. Not in a deliberate way--it's just that when I practice a piece a lot, I come to learn the distances my fingers have to travel, things like that. Sometimes I practice by "playing" a piece in my head and I can feel which fingers should be moving.
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I know from the few songs I've managed to learn that once I get the feel of a song, it's almost effortless and the movement of my hands goes on at a level almost under my consciousness - I'm not even feeling how far to move my hands, because I just move them and it's right, and I end up playing the correct notes before I think of the correct notes. Of course, right now I can only do that with songs right around middle C - having to move my hands more than a few keys in either direction isn't unconscious yet. XD
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