Nailing down what I'm looking for...
Just trying to nail down what the heck I'm currently looking for in a book, as I've again recently spent fruitless time in a bookstore not finding anything that resonates. Doesn't mean I won't enjoy other books, just means that it's not what I'm actively looking for. Annoyingly, I'll probably have to write the bloody thing to read it. (ETA: And you're perfectly welcome to talk about that, too, if you have anything to say. XD I'm not just looking for recs.)
Something closer to traditional other-world fantasy, by which I mean not our world with the serial numbers hastily filed off, nor a historical, nor someone from our world going into another, not contemporary or urban fantasy.
Relatively few viewpoint characters. I don't much like multi-viewpoint novels full of characters. I like to find one or two I like, then stick with them. I prefer third person to first, because it's very very hard not to sound too contemporary in first.
Travel. I don't know why, but for some reason, travel is often in the sort of books I'm thinking of. Not always, though.
A fairly unsophisticated protagonist. Er, that may not be quite what I mean but I can't come up with a better word. Note that I do not mean not complex nor do I mean simple. I don't mean that the character is necessarily young, either - this quality does tend to go along with YA protagonists, but Croaker from The Black Company is someone I would call unsophisticated, but complex. (Lady, however, would be sophisticated.) Same with Vimes from Pratchett's Watch books. (and the Croaker/Vimes character is another character type I love. XD) I'm not with the court intrigues or nobility or maneuvering to accumulate votes in the council or whatnot.
Landscape as character. This could be a city, like Tai-tastigon in God Stalk.
It could be childrens', YA, or adult. Tamora Pierce's original Lioness Quartet and her Protector of the Small books are decently close to it, although I bounce off her Circle books. I also liked her first Beka Cooper book and am looking forward to the next. On the adult side, while Lucia St Clair Robson's The Tokaido Road is a historical, it's got lots of other elements that make it a winner.
A sensawunda, which is again hard to define because it takes different things to achieve it for different people. For me, it often comes with a sense of deep time, or mysteries not fully explained. It tends to go along with the numinous - Mushishi has it in spades, Spirited Away to a lesser extent.
No obviously Celtic or Viking (or faux-Celtic/Viking) elements. I burned out on those long ago.
I rather like quest novels, although the Saving the World bit is getting old. I told
sartorias a couple of days ago that I think perhaps A Comet in Moominland just might be my ideal quest novel. XD Travel, unsophisticated protagonist, sensawunda`, the object is not to Save the World but to find out what's going on, landscape as character, etc. If only it were longer and I were encountering it for the first time!
Too many Portentious Capitalized Words in the back-cover blurb and the first pages of the text Drive me Up the Frickin' Wall.
That's it for the moment. As I come up with more elements that I want to read about, I'll add them.
Something closer to traditional other-world fantasy, by which I mean not our world with the serial numbers hastily filed off, nor a historical, nor someone from our world going into another, not contemporary or urban fantasy.
Relatively few viewpoint characters. I don't much like multi-viewpoint novels full of characters. I like to find one or two I like, then stick with them. I prefer third person to first, because it's very very hard not to sound too contemporary in first.
Travel. I don't know why, but for some reason, travel is often in the sort of books I'm thinking of. Not always, though.
A fairly unsophisticated protagonist. Er, that may not be quite what I mean but I can't come up with a better word. Note that I do not mean not complex nor do I mean simple. I don't mean that the character is necessarily young, either - this quality does tend to go along with YA protagonists, but Croaker from The Black Company is someone I would call unsophisticated, but complex. (Lady, however, would be sophisticated.) Same with Vimes from Pratchett's Watch books. (and the Croaker/Vimes character is another character type I love. XD) I'm not with the court intrigues or nobility or maneuvering to accumulate votes in the council or whatnot.
Landscape as character. This could be a city, like Tai-tastigon in God Stalk.
It could be childrens', YA, or adult. Tamora Pierce's original Lioness Quartet and her Protector of the Small books are decently close to it, although I bounce off her Circle books. I also liked her first Beka Cooper book and am looking forward to the next. On the adult side, while Lucia St Clair Robson's The Tokaido Road is a historical, it's got lots of other elements that make it a winner.
A sensawunda, which is again hard to define because it takes different things to achieve it for different people. For me, it often comes with a sense of deep time, or mysteries not fully explained. It tends to go along with the numinous - Mushishi has it in spades, Spirited Away to a lesser extent.
No obviously Celtic or Viking (or faux-Celtic/Viking) elements. I burned out on those long ago.
I rather like quest novels, although the Saving the World bit is getting old. I told
Too many Portentious Capitalized Words in the back-cover blurb and the first pages of the text Drive me Up the Frickin' Wall.
That's it for the moment. As I come up with more elements that I want to read about, I'll add them.

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(It took me a few encounters to try Eon: The Last Dragoneye, but I'm glad I did.)
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Of course, he's not quite as sophisticated as he thinks he is....
Have you read Daniel Abraham's series beginning with A Shadow in Summer? There are 3 or 4 viewpoint characters and a very NOT Celtic cultural setting. (Japanese-inspired, IIRC.) There's politicking aplenty, but more of the killing-you-now-even-though-it'll-start-a-war variety rather than the council-voting variety.
I'd also recommend
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I never quite got into Locke Lamora - read the first couple of chapters, put it down to do something, and never picked it up again.
I am sadfacy at my bouncing off of Inda. I seem to get along better with
I have not read Abraham -I'll have to check him out.
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Actually I almost gave up on Locke for the same reason: half a book's worth of childhood backstory. ARGH. But it was worth it, too.
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Also, LEOPARD MASK HEAD. FUZZY PRETTY KITTY FACE MAN WHO NEEDS HIS EARS SCRITCHED.
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The more I think on it, the more I think you have read it. I've got nothing...
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Ooh! Robin McKinley's _Spindle's End_. http://www.steelypips.org/reviews/spindlesend.html
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I've found a series that mostly fits, but I'm not sure it was ever published in the US
"Something closer to traditional other-world fantasy."
I personally read it as other-world fantasy but you could make a case of it being post apocalyptic fantasy (as in thousands of years have passed) if you tried hard enough.
"Relatively few viewpoint characters".
I'm not sure how to answer that as it's an omniscient narrator that can look into peolple's heads and not just describe their reactions, so very old school. The story has a queen and an amnesiac warden of an old castle at the center and what happens around them mostly gets told, but the narrator picks up whoever is important at that moment and shows their actions and thoughts.
"Travel. I don't know why, but for some reason, travel is often in the sort of books I'm thinking of. Not always, though."
Huge amounts of travel. Once the books and the crisis start - and it is a saving-the-world-quest - the main characters get dragged into doing what they can do stop an ancient dark god from taking over or finding an ancient good god to help them and it takes them all over their world, which is disctinct and different enough, I felt, to go into your sensawunda requirement.
"A fairly unsophisticated protagonist. I'm not with the court intrigues or nobility or maneuvering to accumulate votes in the council or whatnot."
When the queen and her plight is at the center you do get some court intrigues, but the books are called the Chronicles of Hawklan and he's the warder in that mountain obscure castle with the reclusive inhabitants of the village around it and by not remembering most of his personal history and having - as he finds out - strange powers as well as crow that can talk to him and a castle that was empty for a long time until it let him in (specifically him), he starts very much as a blank slate (with just enough reason to go out and look for his past to eventually get him moving, after danger arrives at his castle).
"Landscape as character."
Lots of that. It starts right with the castle and stays there for most of the first book in the series, and the war makes the queen move all over her country, too, so you almost get a Lord of the Rings travel vibe with important places.
"No obviously Celtic or Viking (or faux-Celtic/Viking) elements. I burned out on those long ago."
Well the queen used to be a rider warrior maid for her own people, before she married the king here (you might have problems with the age difference between the old king and the queen, although I believe she loved him and in medieval societies I don't tend to think young woman and older man all that strange) - like the Rohan folk - so that's a bit Tolkienish again, but not those two. Or a bit Robert Jordanish, these days.
"the object is not to Save the World but to find out what's going on"
The story goes from the second to the first, I have to admit.
"Too many Portentious Capitalized Words in the back-cover blurb and the first pages of the text Drive me Up the Frickin' Wall."
No such thing.
Back cover blurb via Amazon, the English edition seems to be in print:
"The castle of Anderras Darion has stood abandoned and majestic for as long as anyone can remember. Then, from out of the mountains, comes the healer, Hawklan - a man with no memory of the past - to take possession of the keep with his sole companion, the raven Gavor.
Across the country, the great fortress of Narsindalvak is a constant reminder of the victory won by the hero Ethriss in alliance with the three realms of Orthlund, Riddin and Fyorlund against the Dark Lord, Sumeral, hundreds of years before. But Rgoric, the ailing king of Fyorlund and protector of the peace, has fallen under the malign influence of the Lord Dan-Tor, and from the bleakness of Narsindal come ugly rumours. It is whispered that Mandrocs are abroad again and that the Dark Lord himself is stirring.
And in the remote fastness of Anderras Darion, Hawklan feels deep within himself the echoes of an ancient power and the unknown, yet strangely familiar, call to arms..."
You obviously can buy the import version from Amazon.com
http://www.amazon.com/Call-Sword-Chronicles-Hawklan/dp/184319273X/
part 2 of this comment
http://www.amazon.com/Dream-Finder-Roger-Taylor/dp/1843192772/
Amazon Review by Kat Maxwell
"This is the first in a four book sequence by British author Roger Taylor called "The Chronicles of Hawklan". One night in the middle of a snowstorm, Hawklan arrives at the ancient sealed castle of Anderras Darion. He has no memory of his personal history or even his name. The locals of the village below the castle re-name him Hawklan and he finds he is a natural healer of great ability with a store of knowledge that he doesn't know the origins of.
The real story of this book starts with the arrival of a harmless looking tinker who sells goods to the village people. However, what he sells are not what they seem. This leads Hawklan on a quest to discover the source of the poison that has been sold to the people he loves, and it's the start of world changing events for everyone, with Hawklan as the unexpected catalyst.
This book is well paced and written and Hawklan and his friends are characters which grow on you with affection. However, this book is really only an introductory novel in some ways, but if you enjoy fantasy its well worth reading."
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