(no subject)
Something I've noted while obsessively combing through three chapters of Death Note looking for reference for the doujin[1] is that - probably due to the need for visual flow and to push the reader's eyes onward, 90% of the time, L is looking towards the left, so we see the left side of his face and head. Unfortunately, due to the same aforementioned need for visual flow, I have to have L looking to the right. Which means that I'm basically making up what I think the right side of his hair looks like.
In the same vein, Light is most often seen with a camera directly at him, or from slightly above, while L is msot often seen with the camera angle directly on him or from slightly below. (I draw the opposite. God only knows why. Massive reference problems.) I'm sure that Obata-sensei is doing that deliberately, but I'll be damned if I can figure out why. When Light goes extra-special-evil, he tends to be shot from below looking up, but for the most part, downwards.
[1] I am as of yet not quite clear on what the difference between 'doujin' and 'doujinshi' is. I shall merrily continue using them at random until someone gets offended enough to let me know.
What, me look it up?? That there's crazy talk!!
In the same vein, Light is most often seen with a camera directly at him, or from slightly above, while L is msot often seen with the camera angle directly on him or from slightly below. (I draw the opposite. God only knows why. Massive reference problems.) I'm sure that Obata-sensei is doing that deliberately, but I'll be damned if I can figure out why. When Light goes extra-special-evil, he tends to be shot from below looking up, but for the most part, downwards.
[1] I am as of yet not quite clear on what the difference between 'doujin' and 'doujinshi' is. I shall merrily continue using them at random until someone gets offended enough to let me know.
What, me look it up?? That there's crazy talk!!
no subject
To the other thing: YES. I would love to see a Death Note analysis. I've heard that one of the biggest selling points of Obata's artwork is that his characters are more expressive than most--they have more facial expressions. I can't rememeber whether I heard this from you or got it from the Jump interviews, though. (arg, it's like thinking through a filter. can't concentrate)
no subject
And Light looks to the left a lot, too. I ahve my Giant Page o'Raito Hair, a 9x13" printout that I made from cutting-and-pasting many many pictures of Light from DN, then printing it out and managing to close the file before saving it. :/ Anyway, almost every single one, he's facing to the left in some way.
Another thing I've noticed about pro manga vs. amateur -- the pros lamost enver do pure profile shots. They're usually at a 3/4 or 2/3 view of the head, with a lesser amount of straight-on shots, and very very few profiles. And what profiles are done are usually at a slight up or down angle. Obata does this a LOT - I had to look hard to find profiles in the three chapters I've got printed out. And none of the ones with the mouth open more than a smidgen are pure profiles (at least in the chapters I've got). If a character has their mouth wide open, they're at a 3/4 view.