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Adventures of a Dwergish Girl by Daniel Pinkwater

If you don't know Daniel Pinkwater, then nothing I can say will prepare you for his books. If you do know him, then I need say nothing. That being said, people would probably appreciate some context for the happy burbling in this review.
Indulge me for a paragraph while I go back a few decades. I encountered Pinkwater's Alan Mendohlson: The Boy from Mars and its frumpy, unpopular, misunderstood narrator Leonard Neeble a few years after its 1979 publication, when I was a frumpy, unpopular preteen girl convinced that nobody understood, and, naturally, imprinted hard on the book. Its out-of-left-field humor, thwarting of authority figures, windows into other, fantastical, worlds and the triumph and eventual self-possession of the narrator while not changing any of the traits I shared with him meant it was the right book the right time. (See #2 and #3 of S. R. Ranganathan's Five Laws of Library Science.) The two things I wished at the time that Alan Mendohlson had were: (1) more info about Alan Mendohlson and where he came from, and (2) a girl.
Enter Adventures of a Dwergish Girl. Molly O'Malley is a Dwerg, one of a reclusive race of people who live in the Catskill mountains. She's unsatisfied with her life and the expectations of her future, so decides to head out to The Big City and see what happens. What happens is that she encounters pizza, makes friends, discovers papaya juice, ghosts and historical re-enactors, and saves both the day and her people while being, emphatically, herself. Even when she's not sure what to do, she comes up with a plan.
Had I encountered Molly O'Malley at the same age I encountered Alan Mendohlson, I think I might have actually liked her better. It was terrific fun to watch Alan Mendohlson do amazing things, but it's better to be Molly O'Malley doing amazing things. We get to know where Molly comes from and who she is while at the same time having a view from the driver's seat. I admit that the questions that Alan Mendohlson left me with, and the particular weirdnesses of that book, made me love it and speculate long and hard on it (I was unaware of the concept of fanfic at the time, probably for the best as I would have been a terrible writer). But while AM was a sharp, hard, fizzy concoction, AoaDG is a more rounded dish with umami at the base and careful seasoning on top.
Adventures of a Dwergish Girl has a strong voice which, I admit, is Pinkwater's voice and much the same in all of his books but I never get tired of it.It's also packed full of Pinkwater's usual run of weird and quirky characters. The end teases a continuation of the story, and should that come to pass I would absolutely love it.
Highly recommended. I'm going to buy a hard copy when it's published so I can throw it at my nephew when he's old enough to appreciate it.
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Molly O'Malley is much more of a hero archetype when you're reading from her POV, albeit one who has some traditionally male-coded heroic traits like planning and leading, but also some traditionally female-coded traits, like making friends and appreciating food. From the outside, she might be a bit of a trickster but without the sharp edges and malice underpinning much of Alan Mendohlson's actions.
(And yes, he's always "Alan Mendohlson.")
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Thanks for the info! His writing sounds pretty nuanced; I will have to find a way to dip my toe in the water (aka library's still closed but we'll figure something out).
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