Sweet!
Via Cognitive Dissonance, an announcement from the San Diego Comic-Con:
The Beat from Mile-High Comics reports the announcement:
The Beat from Mile-High Comics reports the announcement:
The Jim Henson Company has partnered with TOKYOPOP Inc., the #1 publisher of manga in the U.S., in an exclusive manga publishing deal to bring three of its fantasy titles to fans. Most notable among them is MirrorMask, the feature film from Dave McKean and Neil Gaiman due for release on September 30th of this year. TOKYOPOP’s MirrorMask prequel manga will be plotted by Gaiman, the award-winning writer of the highly successful Sandman comics as well as the novels Good Omens and Coraline. Also included in the deal will be all-new original graphic novel series for the immensely popular properties The Dark Crystal and Labyrinth.
The MirrorMask prequel will tell the story of the princess' escape from the Dark Palace and how she came to acquire the MirrorMask.
TOKYOPOP also plans to release a sequel manga to Labyrinth, which first hit the big screen in 1986, remained a fan favorite over the years and also served as an inspiration for MirrorMask. Its manga version will follow 13-year-old Toby as he journeys back to the Labyrinth to assume his role as the heir to the Goblin Kingdom. Manga writer Jake Forbes will write this series.
The final title will be a prequel to 1982’s The Dark Crystal, the classic tale of good versus evil that broke ground as the first fully animatronic feature. Henson also recently announced that it is in preproduction on a sequel theatrical film of this cult classic.

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I think I read a fic like that once. In fact, I think I tried to *write* a fic like that once (although I assume this manga will not be nearly as much of a ripoff of various Mercedies Lackey novels, heh). Sounds interesting, anyway.
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my favorite movies actually are going to have sequels in MANGA form!?!? AWESOME!
*happy dance*
thanks for the great news!
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And yes, I think I have read that fic. It's on FF.Net. XD;;;
BTW, Telo, you're in library sciences, right? *saw an old librarian of hers at work today, and is thinking schoolish thoughts*
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Does that complete destroy the first movie? Ummm. Correct me if I'm wrong but the King of the Goblins was a pretty evil guy. Toby definitely wasn't supposed to be in that world. I'd also always assumed that the entire kingdom was a metaphor for...something. This manga is going to give it an objective relality, completely free of Sarah's adolescent fantasies, and that just seems wrong.
I'm so confused! Such an ambiguous movie, it seems a shame to pin it down for the sequel.
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NO MORE CUSTOMERS, PLEASE. *sob*
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1) It exists outside of Sarah's imagination. The labyrinth is real, Sarah really goes there, even if Sarah dies tomorrow, the labyrinth remains. In this scenario our good friend Bowie exists regardless of what Sarah thinks of him. Hoggle, etc, exist without Sarah, with their own personalities.
2) The Labyrinth is a figment of Sarah's imagination. It exists as it does because she wants it to be that way. Our good friend Bowie is evil because she wants him to be evil. Without Sarah, there is no labyrinth, no Hoggle, no bog of eternal stench, etc.
If Toby is going to the Labyrinth, that indicates that it exists independently of Sarah. In which case we are in scenario 1). In which case the Goblin King is evil and Sarah was wasting her time when she rescued Toby so many years ago. You see?
The other possibilty is that the Labyrinth is a real place you can really go to, but a changeable one. It appears differently to every person who enters it, based on that person's whim. In which case I expect to see a completely different Labyrinth from Sarah's, or maybe a mostly different Labyrinth, with points of similarity based on Sarah's descriptions to Toby. Or maybe it's a figment of Toby's imagination, based on stories Sarah told him. In any case, different. All bets are off.
But wouldn't that still destroy the first movie? the lesson of the first movie is "be careful what you ask for, you might get it". It can't be healthy for Toby to leave behind the "real" world for this dangerous changeable fantasy world. If the manga is going to take something that was destructive for Sarah and make it constructive for Toby... I demand to know what the difference is. Why is it okay for Toby to fantasize about being King of Goblins, but not okay for Sarah to fantasize about David Bowie?
Hopefully this makes sense.
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There's a theory that Jareth kidnapped Toby to have him as his heir anyways. But by becoming what Sarah wanted him to be, by following the story ("But the Goblin King had fallen in love with the girl, and given her certain powers..."), maybe that screwed up his plan a bit. Hell, maybe Toby wishes Sarah away and becomes the heir by being the only person to ever escape from the Underground twice. I dunno. For all we know, Toby's a spoiled brat, or an angsty teen, or something else that requires a swift magical kick in the bum. As you said, only one way to find out...